The 150th anniversary of Italian unification will be celebrated on 17 March.
The official website of the celebrations is: http://www.italiaunita150.it/ (in Italian)
Showing posts with label italyhistory. Show all posts
Showing posts with label italyhistory. Show all posts
Thursday, March 17, 2011
150th anniversary of Italian unification
The 150th anniversary of Italian unification will be celebrated on 17 March.
The official website of the celebrations is: http://www.italiaunita150.it/ (in Italian)
Wednesday, January 12, 2011
Amnesia and Remembrance (Boston, January 30, 2011)
A commemoration of Italian Holocaust Remembrance Day will feature the critically acclaimed 2003 Italian film "Facing Windows," starring Giovanna Mezzogiorno e Massimo Girotti. Before the film, Professor Nancy Harrowitz (Boston University) will present a lecture entitled, "Making the Past the Present," and Professor Virginia Picchietti (Univeristy of Scranton) will speak on 'Memory of Italian Shoah and Ferzan Ozpetek's "Open Windows."'
The film will be shown at 12:45 and followed by a round table discussion with Virginia Picchietti, Nancy Harrowitz and John Bernstein.
January 30, 2011
11-3:15
Boston University, George Sherman Union Conference Auditorium
775 Commonwealth Avenue, Boston
Sponsorred by Boston University and the Consulate General of Italy in Boston, in collaboration with the American Jewish Committee and the Consulate Heneral of Israeel to New England.
The film will be shown at 12:45 and followed by a round table discussion with Virginia Picchietti, Nancy Harrowitz and John Bernstein.
January 30, 2011
11-3:15
Boston University, George Sherman Union Conference Auditorium
775 Commonwealth Avenue, Boston
Sponsorred by Boston University and the Consulate General of Italy in Boston, in collaboration with the American Jewish Committee and the Consulate Heneral of Israeel to New England.
Tuesday, December 28, 2010
The Risorgimento of the Jews, “the dream of a homeland for the free and equal”
* The second article of “Star of David and the Italian Flag, Jews and the construction of Italy”, the initiative promoted by CulturaItalia [the Website of Italian culture] in collaboration with the Judaica Europeana project to celebrate 150 years of Italian Unity, is online: Ester Capuzzo: the Risorgimento of the Jews, “the dream of a homeland for the free and equal” [CulturaItalia - Un patrimonio da esplorare]
* Previous post
* Previous post
Tuesday, December 21, 2010
The Star of David and the Italian flag, Jews and the construction of a united Italy
* Article from CulturaItalia:
"Central Institute for the Union Catalogue of Italian Libraries is a partner in the European project entitled Judaica Europeana (http://www.judaica-europeana.eu/) financed by the eContentplus programme. The objective of the project is to gather digitalized information that documents Jewish presence and heritage in European cities and make them available on Europeana.
CulturaItalia is the Website of Italian culture (http://www.culturaitalia.it) which, in collaboration with the Judaica Europeana project and to celebrate 150 years of Italian Unity, is promoting the “Star of David and the Italian Flag, Jews and the construction of Italy” initiative.
This is the title of the new Web 2.0-style space open to all CulturaItalia users who wish to tell - via text, videos, photographs and audio- what they know about the Jewish contribution to social, cultural and political life in Italy from when the country was united, 150 years ago, to today.
Through the stories to appear in this section, in particular, added space will be given to learning about the history and traditions of the Jewish community since Italy was declared united 150 years ago.
Customs and traditions have changed with the passage of time, participation in the political scene, integration and migration after Unity, but also the religion itself, what was it before and how has it changed? Culture, through observation and by studying the products – from books to theatre – that best, according to the reader, represent the history of the relationship between Judaism and the Unity of Italy.
Alongside this initiative there will be articles and in-depth studies on this theme by the editors of CulturaItalia, as well as documents sent in by various institutions, the public at large and schools of all levels."
- First Article: Anna Foa: the Jews and the construction of united Italy, "An intense, qualifying identification"
"Central Institute for the Union Catalogue of Italian Libraries is a partner in the European project entitled Judaica Europeana (http://www.judaica-europeana.eu/) financed by the eContentplus programme. The objective of the project is to gather digitalized information that documents Jewish presence and heritage in European cities and make them available on Europeana.
CulturaItalia is the Website of Italian culture (http://www.culturaitalia.it) which, in collaboration with the Judaica Europeana project and to celebrate 150 years of Italian Unity, is promoting the “Star of David and the Italian Flag, Jews and the construction of Italy” initiative.
This is the title of the new Web 2.0-style space open to all CulturaItalia users who wish to tell - via text, videos, photographs and audio- what they know about the Jewish contribution to social, cultural and political life in Italy from when the country was united, 150 years ago, to today.
Through the stories to appear in this section, in particular, added space will be given to learning about the history and traditions of the Jewish community since Italy was declared united 150 years ago.
Customs and traditions have changed with the passage of time, participation in the political scene, integration and migration after Unity, but also the religion itself, what was it before and how has it changed? Culture, through observation and by studying the products – from books to theatre – that best, according to the reader, represent the history of the relationship between Judaism and the Unity of Italy.
Alongside this initiative there will be articles and in-depth studies on this theme by the editors of CulturaItalia, as well as documents sent in by various institutions, the public at large and schools of all levels."
- First Article: Anna Foa: the Jews and the construction of united Italy, "An intense, qualifying identification"
Thursday, July 8, 2010
1861 (Rome, 10/10-1/11)
Scuderie del Quirinale - upcoming exhibition
October 2010 - January 2011
"To tie in with the celebrations for the 150th anniversary of the Unity of Italy, the Scuderie del Quirinale is to host a major exhibition designed to show how Italian painters depicted the events that led our country to the achievement of independence and national unity between 1859 and 1861.
The exhibition, comprising work by the leading artists of the day (including Francesco Hayez, Giuseppe Molteni, Domenico and Gerolamo Induno, Eleuterio Pagliano, Federico Faruffini, Giovanni Fattori, Silvestro Lega, Odoardo Borrani, Michele Cammarano and Giuseppe Sciuti), will endeavor to show how their interpretation of events tended to afford priority to the heartfelt grassroots support that the movement enjoyed while shunning a more obvious, celebratory rhetoric. For the very first time, the monumental pictures of Giovanni Fattori and Gerolamo Induno will be set alongside one another to highlight an identity of purpose that was achieved through the use of differing artistic vocabularies. Their aim was to depict the crucial battles in the conquest of our country's unity while shifting the viewer's attention from the military aspect to their ideal and human content.
One of the works on display will be the celebrated Battle of the Cernaia by Gerolamo Induno, who fought both in the Crimean War and in the famous battle which he then immortalized on canvas in a painting that was to become a model for subsequent works. Giovanni Fattori, who was one of the best known artists of the era, failed to take part in the Second War of Independence himself yet he proved capable of portraying the Risorgimento's epic nature better than any other painter, reaching heights worthy of the finest passages in Tolstoy's War and Peace. The paintings of Eleuterio Pagliano, Federico Faruffini and Michele Cammarano, on the other hand, evince the kind of shocking, revolutionary realism that was to inspire the film work of such movie directors as Blasetti and Visconti, who devoted some of their best work to the Risorgimento period.
The exhibition tells the story of one of the most important periods in our national history, the revolutionary events of 1848 -- a necessary premise for understanding what was to take place between 1859 and 1861, the legendary "Five Days of Milan" and "Rome Wounded to the Heart". It highlights both the grassroots participation and the epic undertaking as seen through the eyes of Hayez, Molteni and Induno, while focusing at the same time on the popular adventure of the Mille, the legend of the Red Shirts and the figure of Garibaldi as interpreted by Fattori, Gerolamo Induno, Filippo Liardo and Umberto Coromaldi.
The exhibition ends with the dashed hopes of Villafranca and of Aspromonte, two dramatic moments captured in masterpieces by Domenico and Gerolamo Induno and personified by Fattori's tragic painting Lo Staffato [The Fallen Rider], the iconic symbol of the thoughts and concerns that beset those years. Indeed many now hold the picture up as the most authentic and anti-rhetorical monument to those who fell in the wars of the Risorgimento."
October 2010 - January 2011
"To tie in with the celebrations for the 150th anniversary of the Unity of Italy, the Scuderie del Quirinale is to host a major exhibition designed to show how Italian painters depicted the events that led our country to the achievement of independence and national unity between 1859 and 1861.
The exhibition, comprising work by the leading artists of the day (including Francesco Hayez, Giuseppe Molteni, Domenico and Gerolamo Induno, Eleuterio Pagliano, Federico Faruffini, Giovanni Fattori, Silvestro Lega, Odoardo Borrani, Michele Cammarano and Giuseppe Sciuti), will endeavor to show how their interpretation of events tended to afford priority to the heartfelt grassroots support that the movement enjoyed while shunning a more obvious, celebratory rhetoric. For the very first time, the monumental pictures of Giovanni Fattori and Gerolamo Induno will be set alongside one another to highlight an identity of purpose that was achieved through the use of differing artistic vocabularies. Their aim was to depict the crucial battles in the conquest of our country's unity while shifting the viewer's attention from the military aspect to their ideal and human content.
One of the works on display will be the celebrated Battle of the Cernaia by Gerolamo Induno, who fought both in the Crimean War and in the famous battle which he then immortalized on canvas in a painting that was to become a model for subsequent works. Giovanni Fattori, who was one of the best known artists of the era, failed to take part in the Second War of Independence himself yet he proved capable of portraying the Risorgimento's epic nature better than any other painter, reaching heights worthy of the finest passages in Tolstoy's War and Peace. The paintings of Eleuterio Pagliano, Federico Faruffini and Michele Cammarano, on the other hand, evince the kind of shocking, revolutionary realism that was to inspire the film work of such movie directors as Blasetti and Visconti, who devoted some of their best work to the Risorgimento period.
The exhibition tells the story of one of the most important periods in our national history, the revolutionary events of 1848 -- a necessary premise for understanding what was to take place between 1859 and 1861, the legendary "Five Days of Milan" and "Rome Wounded to the Heart". It highlights both the grassroots participation and the epic undertaking as seen through the eyes of Hayez, Molteni and Induno, while focusing at the same time on the popular adventure of the Mille, the legend of the Red Shirts and the figure of Garibaldi as interpreted by Fattori, Gerolamo Induno, Filippo Liardo and Umberto Coromaldi.
The exhibition ends with the dashed hopes of Villafranca and of Aspromonte, two dramatic moments captured in masterpieces by Domenico and Gerolamo Induno and personified by Fattori's tragic painting Lo Staffato [The Fallen Rider], the iconic symbol of the thoughts and concerns that beset those years. Indeed many now hold the picture up as the most authentic and anti-rhetorical monument to those who fell in the wars of the Risorgimento."
Tuesday, June 8, 2010
The Virtues of Love: Nuptial Painting in XV Century Florence (Florence, 6/8/10-11/1/10)
Virtu' d'amore. Pittura nuziale nel Quattrocento fiorentino
Accademia Gallery
June 8th - November 1st, 2010
Introduction:
"The bedroom was the fulcrum of the Renaissance home: the most intimate and protected place where the wedding was consumed, children were born, and one died. Spalliere/headboards like the so-called Cassone Adimari of the Galleria dell'Accademia, which occasions the exhibition, and the historiated panels of chests are extraordinary testimonies of the Florentine Renaissance home, high fashion, the celebration of festivities, the rituality that accompanied marriage, from engagement to the wife's entrance into her husband's house. Moreover, with the stories depicted, "nuptial painting" served the fundamental function of conveying messages of warning and encouragement to a couple to adopt a conduct considered as exemplary. This aspect helps us today to focus in on a mainstay of fifteenth-century Florentine culture: the role of the family and those of the husband and wife. Drawing on classical mythology, the Bible, historical episodes and contemporary literature, all of the facets of love are depicted, along with the ensuing duties: from love triumphant over adverse circumstances (The Marriage of Thetis and Peleus), to the virtues of obedience and abnegation that the woman must pursue (The Legend of Griselda from Boccaccio's Decameron), to the courage of the heroines Lucretia and Virginia, who choose death as source of redemption. An entire section illustrates the harmful consequences of love as sexual beguilement capable of totally subduing a man's will. We must not forget, however, that marriage meant first and foremost to give life to new progeny and perpetuate the family. Towards this end, the last section of the exhibition is dedicated to family pride, asserted in stories that recount the foundation of famous families like those of Aeneas and David or that, following the texts of Petrarch, celebrate the Triumphs of Fame, Time and Eternity. These images could also be painted on deschi da parto (birth salvers), which were tondos painted on both sides, offered as ceremonial gifts to women of the upper classes who had just given birth. A particularly famous one is the desco da parto realised on the occasion of the birth of Lorenzo the Magnificent (Triumph of Fame, New York, Metropolitan Museum). Finally, the exhibits feature works by illustrious painters like Botticelli (Story of Virginia Romana, Bergamo, Accademia Carrara), Filippino Lippi (Story of Lucretia, Florence, Galleria Palatina), and Pesellino (Stories of Susanna, Avignon, Musée du Petit Palais), which open an extraordinary view onto the Florentine workshops engaged in the production of these objects that enjoyed their greatest fortune precisely in the fifteenth century. The exhibition has been organised in collaboration with the Museo Horne of Florence which will present an itinerary valorising a consistent nucleus of painted chests (cassoni) from its collection which come from the original collection that belonged to Herbert Percy Horne, for the occasion joined by several works on exceptional loan from private collectors."
Accademia Gallery
June 8th - November 1st, 2010
Introduction:
"The bedroom was the fulcrum of the Renaissance home: the most intimate and protected place where the wedding was consumed, children were born, and one died. Spalliere/headboards like the so-called Cassone Adimari of the Galleria dell'Accademia, which occasions the exhibition, and the historiated panels of chests are extraordinary testimonies of the Florentine Renaissance home, high fashion, the celebration of festivities, the rituality that accompanied marriage, from engagement to the wife's entrance into her husband's house. Moreover, with the stories depicted, "nuptial painting" served the fundamental function of conveying messages of warning and encouragement to a couple to adopt a conduct considered as exemplary. This aspect helps us today to focus in on a mainstay of fifteenth-century Florentine culture: the role of the family and those of the husband and wife. Drawing on classical mythology, the Bible, historical episodes and contemporary literature, all of the facets of love are depicted, along with the ensuing duties: from love triumphant over adverse circumstances (The Marriage of Thetis and Peleus), to the virtues of obedience and abnegation that the woman must pursue (The Legend of Griselda from Boccaccio's Decameron), to the courage of the heroines Lucretia and Virginia, who choose death as source of redemption. An entire section illustrates the harmful consequences of love as sexual beguilement capable of totally subduing a man's will. We must not forget, however, that marriage meant first and foremost to give life to new progeny and perpetuate the family. Towards this end, the last section of the exhibition is dedicated to family pride, asserted in stories that recount the foundation of famous families like those of Aeneas and David or that, following the texts of Petrarch, celebrate the Triumphs of Fame, Time and Eternity. These images could also be painted on deschi da parto (birth salvers), which were tondos painted on both sides, offered as ceremonial gifts to women of the upper classes who had just given birth. A particularly famous one is the desco da parto realised on the occasion of the birth of Lorenzo the Magnificent (Triumph of Fame, New York, Metropolitan Museum). Finally, the exhibits feature works by illustrious painters like Botticelli (Story of Virginia Romana, Bergamo, Accademia Carrara), Filippino Lippi (Story of Lucretia, Florence, Galleria Palatina), and Pesellino (Stories of Susanna, Avignon, Musée du Petit Palais), which open an extraordinary view onto the Florentine workshops engaged in the production of these objects that enjoyed their greatest fortune precisely in the fifteenth century. The exhibition has been organised in collaboration with the Museo Horne of Florence which will present an itinerary valorising a consistent nucleus of painted chests (cassoni) from its collection which come from the original collection that belonged to Herbert Percy Horne, for the occasion joined by several works on exceptional loan from private collectors."
Wednesday, June 2, 2010
Italia sia! (Seravezza, 6/5/10-9/26/10)
Palazzo Mediceo di Seravezza organizes an exhibition about Italian unification titled Italia sia! Fatti di vita e d'arme del Risorgimento italiano. Works by Fattori, Lega, Signorini and many others.
Tuesday, June 1, 2010
Garibaldi, mito e realtà (Palermo, 5/27/10-6/27/10)
The exhibition at Galleria d'Arte Moderna, from May 27 to June 27, 2010, features works by Fattori, watercolors by Giuseppe Nodari, and memorabilia from the Tronca collection.
The exhibition is part of the project "Garibaldi a Palermo".
The exhibition is part of the project "Garibaldi a Palermo".
Wednesday, May 5, 2010
CulturaItalia Newsletter
Register to receive the weekly Newsletter by e-mail, with the most important news published by CulturaItalia.
"CulturaItalia is an ever-growing collaborative network of public and private institutions.
The participant-driven project is intended to bring together various players in the fields of Italian cultural production and access, partners who will be able to contribute to the development of the portal and thus to improve the visibility of their contents and initiatives on a national and international level. Museums, archives, libraries and other cultural entities both public and private can participate by making contents organised into databases available, or by sending news regarding initiatives, organisations and activities.
The resources can be in text, audio, image or video format, and must be germane to the thematic channels, and to those representing initiatives, persons, places and cultural heritage items from sources all over the Italian territory."
* Newsletter n.1 (May 4, 2010)
"CulturaItalia is an ever-growing collaborative network of public and private institutions.
The participant-driven project is intended to bring together various players in the fields of Italian cultural production and access, partners who will be able to contribute to the development of the portal and thus to improve the visibility of their contents and initiatives on a national and international level. Museums, archives, libraries and other cultural entities both public and private can participate by making contents organised into databases available, or by sending news regarding initiatives, organisations and activities.
The resources can be in text, audio, image or video format, and must be germane to the thematic channels, and to those representing initiatives, persons, places and cultural heritage items from sources all over the Italian territory."
* Newsletter n.1 (May 4, 2010)
Monday, April 12, 2010
Saturday, April 10, 2010
The First Jewish Book Feast in Italy (Ferrara, 4/17/10-4/21/10)
Festa del Libro Ebraico in Italia
Ferrara - April 17-21, 2010
The National Museum of Italian Judaism and the Shoah (MEIS), established by the Italian Parliament (Law 296) on December 27, 2006, promotes the first "Jewish Book Feast in Italy".
An exhibition, "The origin of Jewish book in Italy", will be open every day from April 18 through April 30 in the Municipal Palace of Ferrara.
Ferrara - April 17-21, 2010
The National Museum of Italian Judaism and the Shoah (MEIS), established by the Italian Parliament (Law 296) on December 27, 2006, promotes the first "Jewish Book Feast in Italy".
An exhibition, "The origin of Jewish book in Italy", will be open every day from April 18 through April 30 in the Municipal Palace of Ferrara.
Thursday, March 18, 2010
Tuesday, February 23, 2010
The Royal House of Savoy: Padua and Italian Unification (Padua, 2/11/10-3/28/10)
The Royal House of Savoy: Padua and Italian Unification
Galleria Civica Cavour, Padua - from February 11 to March 28, 2010
The exhibition shows for the first time objects of great value owned by Princes, Princesses, Kings and Queens - jewels, porcelains, paintings, weapons, clothes and pictures.
The exhibition about the Royal House of Savoy is part of 150th Anniversary of Italian Unification. It will travel in Italy and finally it will show in Rome in 2011.
In 1861, when the Kingdom of Italy was declared, Venetia was still part of the Austrian Empire. Veneto [and Padua] joined Italy only in 1866, after the so-called Third War of Independence.
Galleria Civica Cavour, Padua - from February 11 to March 28, 2010
The exhibition shows for the first time objects of great value owned by Princes, Princesses, Kings and Queens - jewels, porcelains, paintings, weapons, clothes and pictures.
The exhibition about the Royal House of Savoy is part of 150th Anniversary of Italian Unification. It will travel in Italy and finally it will show in Rome in 2011.
In 1861, when the Kingdom of Italy was declared, Venetia was still part of the Austrian Empire. Veneto [and Padua] joined Italy only in 1866, after the so-called Third War of Independence.
Friday, February 5, 2010
Mediateca di Palazzo Medici Riccardi
"The Mediateca Medicea is a digital archive relating to Palazzo Medici Riccardi, one of the most important buildings in Florence (...)
The Mediateca Medicea is designed in particular for academics and experts in the fields of art, history, the humanities, photography and the conservation of the cultural heritage, but also for students or scholars following up specific strands of research.
The site is offered in the form of an in-progress database that will be extended, modified and updated in real time."
The Mediateca Medicea is designed in particular for academics and experts in the fields of art, history, the humanities, photography and the conservation of the cultural heritage, but also for students or scholars following up specific strands of research.
The site is offered in the form of an in-progress database that will be extended, modified and updated in real time."
Sunday, January 24, 2010
The years of “La Dolce Vita” (Turin, 1/19/10–3/21/10)
The years of “La Dolce Vita”
Turin, The National Museum of Cinema, January 19 – March 21, 2010
"Fifty years from the creation of Fellini's masterpiece, comes an exibition which reconstructs the climate of Dolce Vita, restoring a precious record of a film and a era that were for many reasons, absolutely unforgettable: shots are shown of one the many paparazzi, Marcello Geppetti, who nightly roamed Rome's Via Veneto and thereabouts during those famous years that were named after the film. The exibitions layout is completed by a selection of portraits of the stars of the film, "snatched" during pauses on the set of La Dolce Vita by cameraman Arturo Zavattini.
In conjunction with Solares - Fondazione delle Arti, Parma."
Turin, The National Museum of Cinema, January 19 – March 21, 2010
"Fifty years from the creation of Fellini's masterpiece, comes an exibition which reconstructs the climate of Dolce Vita, restoring a precious record of a film and a era that were for many reasons, absolutely unforgettable: shots are shown of one the many paparazzi, Marcello Geppetti, who nightly roamed Rome's Via Veneto and thereabouts during those famous years that were named after the film. The exibitions layout is completed by a selection of portraits of the stars of the film, "snatched" during pauses on the set of La Dolce Vita by cameraman Arturo Zavattini.
In conjunction with Solares - Fondazione delle Arti, Parma."
Friday, January 8, 2010
Digital Library of Camorra
A project made by Department of Philology - University of Naples Federico II, in cooperation with the Observatory on Illegality - Corriere del Mezzogiorno and experts in history, cinema, music, and arts, the Digital Library of Camorra's primary purpose is to build a digital library of texts which explore the phenomenon of the criminal organization called the Camorra.
Friday, December 11, 2009
Memoro: The Bank of Memories
" The Memoro Project is a non profit online initiative dedicated to collecting and divulgating short video recordings of spontaneous interviews with people born before 1940. An editorial staff identifies and authenticates the material uploaded by the volunteers involved in the project.
Memoro – the Bank of Memories is a no profit project born in August 2007 in Italy. The first website www.bancadellamemoria.it has been launched on the 15/06/08 "
Memoro – the Bank of Memories is a no profit project born in August 2007 in Italy. The first website www.bancadellamemoria.it has been launched on the 15/06/08 "
Thursday, December 10, 2009
"The Father" by Vito Bruschini
The Father. Il padrino dei padrini by Vito Bruschini recounts the history of prince Ferdinando Licata (nicknamed U' Patri) who arrived in New York City in 1939 and became The Father, il Padrino.
Alessandro D'Alatri plans to make a film from the novel.
* booktrailer
* ebook (pp. 1-72)
* interview with the author by Silvana Mazzocchi
Alessandro D'Alatri plans to make a film from the novel.
* booktrailer
* ebook (pp. 1-72)
* interview with the author by Silvana Mazzocchi
Thursday, December 3, 2009
2nd Cultural Heritage On Line Conference (Florence, 12/15-16/09)
Fondazione Rinascimento Digitale, Ministero per i Beni e le Attività Culturali and The Library of Congress are delighted to present the Conference
CULTURAL HERITAGE on line
Empowering users: an active role for user communities
15-16 December 2009, Florence, Italy
"This conference aims to explore, analyze, and evaluate the state of the art and future trends in user communities and cultural contents on the web from an international perspective, and bring together academic researchers, policy makers and practitioners, providing a forum for the discussion and dissemination of the selected themes."
CULTURAL HERITAGE on line
Empowering users: an active role for user communities
15-16 December 2009, Florence, Italy
"This conference aims to explore, analyze, and evaluate the state of the art and future trends in user communities and cultural contents on the web from an international perspective, and bring together academic researchers, policy makers and practitioners, providing a forum for the discussion and dissemination of the selected themes."
Monday, November 30, 2009
"A Cento Passi dal Duomo" by Giulio Cavalli and Gianni Barbacetto
In 2008 magistrate Vincenzo Macrì said Milan is now the true capital of ‘ndrangheta, but politicians and society seem not to be aware of the problem, thinking the phenomenon is circumscribed within the Southern Italy.
A cento passi dal Duomo is a spectacle against the Mafia and its ramifications in the Northern Italy. Like Roberto Saviano, Giulio Cavalli is under protection due to his work. Gianni Barbacetto is the Director of Omicron (Osservatorio Milanese sulla Criminalità Organizzata al Nord).
* spectacle: part 1, 2, 3, and 4
* interview with G. Cavalli: part 1 and 2
A cento passi dal Duomo is a spectacle against the Mafia and its ramifications in the Northern Italy. Like Roberto Saviano, Giulio Cavalli is under protection due to his work. Gianni Barbacetto is the Director of Omicron (Osservatorio Milanese sulla Criminalità Organizzata al Nord).
* spectacle: part 1, 2, 3, and 4
* interview with G. Cavalli: part 1 and 2
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